I

I set my table with metaphor:
the curling parsley - green sign nailed to the doors
Of God's underground; salt of desert and eyes;
the roasted shank bone of a Pascal lamb,
relic of sacrifice and bleating spring.
Down the long table, past fresh shoots of a root
they have been hacking at for centuries,
you hold up the unleavened bread - a baked scroll
whose wavy lines are undecipherable.

II

The wise son and the wicked, the simple son
and the son who doesn't ask, are all my son
leaning tonight as it is written,
slouching his father calls it.  His hair is long;
hippie hair, hassid hair, how strangely alike
they seem tonight.
               First Born, a live child cried
among the bullrushes, but the only root
you know stirs between your legs, ready
to spill its seed in gentile gardens.
And if the flowers be delicate and fair,
I only mind this one night of the year
when far beyond the lights of Jersey,
Jerusalem still beckons us, in tongues.

III

What black-throated bird
in a warm country
sings spirituals,
sings spirituals
to Moses now?

IV

One exodus prefigures the next.
The glaciers fled before hot whips of air.
Waves bowed at God's gesture
for fugitive Israel to pass;
while fish,  caught then behind windows
of water, remembered how their brothers once
pulled themselves painfully from the sea,
willing legs to grow
from slanted fins.
Now the blossoms pass from April’s tree,
refugee raindrops mar the glass,
borders are transitory.
And the changeling gene, still seeking
stone sanctuary, moves on.

V

Far from Egypt, I have sighted blood,
have heard the throaty mating of frogs.
My city knows vermin, animals loose in hallways,
boils, sickness, hail.
In the suburban gardens
seventeen-year locusts rise
from their heavy beds
in small explosions of sod.
Darkness of newsprint.
My son, my son.

8/29/2021 01:13:50 pm

I have loved this poem ever since I read it, many years ago. It rises above every dull Seder.

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